A World Made By God and By Hand



A World Made By God and By Hand

A Review of “Ogg Land: The Rediscovered Photographs of C.I. Ogg” by Kathryn Freeman
Review written by Eli Smith.  This article will appear in print form in the forthcoming issue of “The Quiet American.”

To view selected Ogg photos in high resolution CLICK HERE, and visit The Photography of Coley Ogg facebook page.  To purchase “Ogg Land” CLICK HERE.

C.I. “Pa” Ogg (1855-1950) was the main photographer in the mountains of Eastern Kentucky in the late 19th and early 20th centuries, but he is only today starting to receive his due.  “Ogg Land: The Rediscovered Photographs of C.I. Ogg,” lovingly compiled by his great granddaughter Kathryn Freeman, offers an amazing look into the old ways of the mountain frontier.

In her introduction, Kathryn Freeman writes, “In the summer of 1992 I made a promise to my mother that I would try to create a book of my great grandfather’s old photos, I set out to learn all that I could about the man that was our beloved “Pa Ogg.”  After two decades of searching, my knowledge and archive have grown considerably… Pa Ogg’s work tells the story of Appalachia’s dramatic transformation from a farming economy to an industrial one.  His photographs were widely published, from the late 19th century, right up to the present, but nearly always unattributed.  He was an early photographer lost to history, a documentarian who made ‘art.’  The work is old, but it depicts a way of living that is far older than the photos themselves.”

As the fertile lands of Virginia and other states to the East became settled and accounted for, poor homesteaders, in search of their own stake, were forced to make the dangerous passage through the Cumberland Gap and other mountain passes to claim rugged land deep in the Appalachian interior.  Many were soldiers in the revolutionary war that received homestead land grants in return for their service in Washington’s army.  This book of photographs records the original mountaineer way of life in its final era.

This first volume of Pa Ogg’s work focuses on his beautiful documentation of the natural world and truly rural way of life in E. Kentucky from when he started making photographs around 1880 through the early 20th century.  Ogg’s photographic record preserves the reality of subsistence farming and hunting that had existed for 100 or even 200 years in the mountains, but was soon to be obliterated as people were convinced or coerced into a turn towards a coal mining economy, which now forms the basis of the region’s identity.

C.I. Ogg was unable to read or write, and was known to be modest man who did not like to “sign” his

Doc Watson Family Milestones

Doc Watson’s daughter Nancy, Roy Andrade and others are producing an incredible 4 CD box set of recordings of Doc Watson and his family including Gaither Carlton.  They need your support right now to produce it, with less than 2 days to go on their fund drive: Click Here for the Kickstarter link.

This is a very important collection, which promises to be incredibly powerful, affecting and informative.

Here is a message about it from Jody Stecher followed by a short film about the production of the material and box set itself.  Amazing!

“Milestones” is the most moving and stirring collection of recorded music I have heard in a decade. I co-wrote the liner notes with Roy. “Milestones” is a book of Watson Family photo collages, assembled with scissors and glue over a 10 year period by Doc Watson’s daughter Nancy. And it’s four CDs of music.  The recordings are extraordinary musically but also historically as they comprise a major document of a local musical tradition that was made from within the tradition itself. Some of the music was recorded by Nancy as a girl. Her familiarity to the musicians she recorded gave her access to a side of the singers and players that a folklorist or “collector” from “outside” would be unlikely to ever see or hear.  This includes gentle loving renditions of beautiful traditional songs and tunes by her grandfather Gaither Carlton, sacred songs recorded at home prayer meetings and at Mount Paran Church,

Interview with John Cohen and Eli Smith

Hello everybody,

Here’s an interview with John Cohen and myself for the No Depression roots music magazine about our recent album “Old Man Below” by the Dust Busters out on the Smithsonian Folkways label.  The interview was done by Chris Mateer who has the excellent Uprooted Music Revue blog site: http://www.uprootedmusicrevue.com.


The Dust Busters and John Cohen (of The New Lost City Ramblers) recently released their new album, Old Man Below, on the legendary Smithsonian Folkwayslabel. I am thrilled to present this interview with John Cohen and Eli Smith (of The Dust Busters) regarding their friendship, admiration for old time music, and musical collaboration together.

Eli, before we dig into The Dust Busters’ work with John Cohen, I’d like to ask you if you can you discuss your own personal musical history with the work of The New Lost City Ramblers and John Cohen?

Eli Smith: I’ve been very appreciative of the New Lost City Ramblers and John Cohen’s work in particular as a musician, field recordist, photographer and film maker for years.

I first became acquainted with the New Lost City Ramblers’ and John Cohen’s work when I was first starting out as a musician and fan of folk, blues and old time music back in high school in the late 1990’s. I loved the sound of the New Lost City Ramblers, thought and still think they are an incredible band and I also greatly appreciated the information about their sources for their music.

The Ramblers led me back to the original recorded sources of the music and those recordings have in turn become the core of my favorite music. I also greatly appreciate the field work that each of the Ramblers, of most particular note: John Cohen’s work in recording and making known Roscoe Holcomb, Wade Ward, Frank Proffitt and so many others.

Can you discuss what drew you to this genre of music initially and what keeps it fresh to you?

John: I first got involved with old time music in 1948 when I first heard re-issues of 1920s string band recordings. It was music that excited me, and music I could perform, or learn to play it. It still excites me today, and the challenges I felt in 1948 are still with me.

There is a quality of music contained in the old stuff that is lost in today’s music scene (it  has  been lost throughout the Folksong movement and revival.) It’s lost quality is what fed the New Lost City Ramblers for 50 years, and continues to feed me  today.

Eli: I liked music since I was a kid and I started playing guitar when I was quite young. However, it was not until my high school era when I heard old time music and authentic American folk music that I really cared about music specifically. I had heard music on the radio and television, my parent’s listened to some music around the house, but I didn’t care about any of it too much. I thought it was my fault that I couldn’t like any of that plastic garbage you hear everywhere.

Music is very close to the human soul, and when I heard old folk music that really spoke to me it hit me real hard. The music gave me a clarity in my mind that I required, and it was a lot of fun! And if you listened to the words you could learn a lot about some gritty subjects, about getting through life, and one can connect with people and history that you don’t hear about or get to feel anywhere else.

You met and toured together before the release of Old Man Below. I’d like to dig into your back story including how you met, hit it off, and what led up to your collaboration.

… Read More At: http://www.nodepression.com/profiles/blogs/interview-john-cohen-new-lost-city-ramblers-and-eli-smith-dust